Comparing Romanticism in Plymouth Plantation, Birthmark, and Rappaccini

  Ã‚     Puritanism and Romanticism differ in style, religious references, and plot content. Puritanism began to flourish with strict God-fearing Calvinists who had fled to America to escape religious persecution in Europe. With writers such as William Bradford and Edward Taylor, Puritan literature focuses on God's role in the lives of the people and adopts a simple religious style of writing. Romanticism was introduced to Americans in the nineteenth century, delivering a fresh literary and artistic style. This new literature pays more attention to the elements of tone, mood, and atmosphere, while also applying religion in the form of transcendentalism. These two types of literature are similar in the respect that they both encourage living simply. Puritan writers were concerned more with the message the literature portrayed than with form and dramatic elements. "Poetry was used to educated its reader, and was written using simple rhythm and common images" (Heimert 34). Puritan literature was plain in style. Much attention focused on God's will in the new world, man's relation to God, the nature of faith, and the history of New England. We can see these elements in the writings of William Bradford, the Governor of the Plymouth colony. "Of Plymouth Plantation" is considered to be New England's first literary achievement. It "is an historical account of the journey to the new world, and the hardships encountered upon arrival" (Fritscher 81). This poem was written to "preserve both the record and the fact of Plymouth's separate identity" (Heimert 51). Bradford's objective was to preach God's purpose in the founding of the Plymouth colony. "Of Plymouth Plantation" has two major themes: how Plymouth had failed the original goal of e... ...uestioning of reason and nature separated him from the Puritans. Yet both Romanticism and Puritanism are similar with their respect for simplicity, while they differ in many other ways.   Works Cited Boewe, Charles. "Rappaccini's Garden." American Literature. Bloomington: Indiana UP, 1959. Fritscher, John. "The Sensibility and Conscious Style of Willaim Bradford." Bucknell Review. 1969. Hawthorne, Nathaniel. Young Goodman Brown and Other Short Stories. New York: Dover Publications, INC. 1992. Heimer, Alan. The Puritans in America: A Narrative Anthology. Cambridge: Harvard University Press, 1985. Leone, Bruno, ed. Readings on Nathaniel Hawthorne. San Diego: Greenhave Press, 1996. McPherson, Hugo. Hawthorne as a Myth-Maker: A Study in the Imagination. Toronto: University of Toronto Press, 1989. Morison, Samuel. Of Plymouth Plantation. New York, Knopf, 1952.

Sexual Selection as a Determinant of Certain Traits :: essays papers

Sexual Selection as a Determinant of Certain Traits If you were a male would you rather have a beautiful, impressive, long tail that attracts a lot of women or would you rather have a shorter, less attractive tail that enables you to escape from predators more easily? Living out in the wild among many potential predators, a shorter tail would seem more logical since it would be a more useful trait than a good-looking one. Though the most logical choice, it is not always the case. In many species, traits that would normally be considered awkward or cumbersome are actually favorable. Hard to believe as it may be, these seemingly maladaptive traits can prove to be very useful to certain members of many different species as shown by Darwin’s Theory of Sexual Selection. They enhance the ability of the individual to obtain mates and are therefore very important in the reproductive and evolutionary success of many animals. It is first necessary to understand the basics of Natural Selection before being able to show how Sexual Selection leads to extravagant traits. The main idea behind natural selection is that living organisms change and adapt in order to enhance their ability to survive and reproduce. Those animals that adapt will be more likely to survive and produce more offspring than other animals in the same environment that do not (Boyd and Silk 2000, p. 5), as maintained by Darwin’s second postulate. Phenotypes that are favored by Natural Selection include the ability to care for offspring, acquire resources, and avoid predators. The correlation between Natural Selection and Sexual Selection is the next necessary step to understanding how Sexual Selection accounts for awkward traits. The later of the two can be considered a special category of natural selection. It involves selection for traits only concerned with increasing the probability of mating (Krebs and Davies, 1993, p. 89). It is expressed most strongly in the sex whose access to mates is most limited. In mammalian males, sexual selection tends to have a greater impact on behavior and morphology than does other forms of natural selection. Due to the combination of females investing more in the care of the offspring and the one-to-one population sex ratio, males are usually the ones in competition for females. Male reproductive success also varies much more than that of the female.

Morality Essays -- essays research papers

Morality: An essential to life   Ã‚  Ã‚  Ã‚  Ã‚  A Russian born American science-fiction writer and biochemist once quoted, â€Å"Never let your sense of morals get in the way of doing what’s right.† This statement generates a series of controversial questions. What is right? How do morals affect people and society in which we live? Does everyone have specific morals by which they try to live their life? How does someone realize what their morals are? What are morals? These questions cannot be truthfully answered because everyone has their own definition of what is right and what is wrong and how one should live their life. My definition of morality is the concern with the distinction between good and evil or right and wrong, which can be seen through someone’s actions based on their ethical principles. That is, if someone lives their life based on their morals. Morality plays an important role in your life and the lives of others whether or not you live with it or not.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  From the time when I was little, I thought I’ve always had a good idea about what is right and what is wrong. I’m not saying I always did the proper thing, but each time I did something morally indecent or offensive, my conscience always let me know. Over time, incidents where my morality was tested have helped me develop a number of morals in which I try to live my life. I believe having morals is an important part of a developing character....

Adobe Flash Player Essay

The Adobe Flash Player is freeware software for viewing multimedia, executing rich Internet applications, and streaming video and audio, content created on the Adobe Flash platform. Flash Player can run from a web browser (as a browser plug-in) or on supported mobile devices, but there also exist versions running directly on an operating system intended both for regular users and content developers, denoted with the Projector (or Standalone) and Debugger name suffixes, respectively. 2] Flash Player runs SWF files that can be created by the Adobe Flash Professional authoring tool, by Adobe Flex or by a number of other Macromedia and third party tools. Flash Player was created by Macromedia and now developed and distributed by Adobe Systems after its acquisition. Flash Player supports vector and raster graphics, 3D graphics, an embedded scripting language called ActionScript executed in ActionScript Virtual Machine, and streaming of video and audio. See more:Â  Social Satire in The Adventures of Huckleberry Finn Essay ActionScript is based on ECMAScript, and supports object-oriented code, and may be compared to JavaScript. Flash Player has a wide user base, with over 90% penetration on internet connected personal computers,[3][4][5] and is a common format for games, animations, and GUIs embedded into web pages. Adobe Systems, the developer of Adobe Flash Player, states that more than 400 million of total more than 1 billion connected desktops update to the new version of Flash Player within six weeks of release. 6] Flash Player can be downloaded for free and its plug-in version is available for recent versions of web browsers (such as Internet Explorer, Mozilla Firefox, Google Chrome, Opera and Safari) on selected platforms. Google Chrome distribution comes bundled with the sandboxed Adobe Flash plug-in and will continue to support the plug-in in Windows 8 Metro mode. [7][8][9] Each version of Adobe Flash Player is backwards-compatible.

Juan De Sepulveda Belittes the Indians

Juan Sepulveda was a man who strongly felt he could define a person or group as â€Å"civilized or â€Å"barbarians.† Sepulveda’s purpose in his article/primary source analysis was mainly to inform the Spanish about the Native Americans â€Å"barbaric† society and how could either try and convert them to Christianity or destroy them. His audience is mainly the Spanish royalty, and also the Christian community. Sepulveda explains what the government and activity of the Natives are like, and degrades who they are so his audience could have a feeling whether they should be enslaved or converted.During Sepulveda’s article/primary source, he mentions how he saw the government with â€Å"†¦ [No] written laws, but barbarian institutions and customs †¦ what temperance or mercy can you expect from men who are committed to all types of intemperance and base frivolity, and eat human flesh? (lines 17-20).† So far Sepulveda has had nothing positive to say about the Natives, and feels that they are far from civilized. Personally, this doesn’t seem too barbarous because everyone has a custom to something Sepulveda writes in a way that persuades that the natives are basically cavemen who know no better, compared to the Spanish norms.Although he is not lying since the natives eat human flesh, which would be barbarous, but its only safe to say that the natives are far from modern day society and the roles. Another piece of evidence that Sepulveda shares is that the natives would â€Å"wage continual and ferocious war upon one another with such fierceness that they did not consider a victory worthwhile unless they sated their monstrous hunger with the flesh of their enemies. (lines 22-24).† This time he proves a point that they would be barbarous, stating that the only reason Natives fight other Natives would be for food. As true as this may be, Sepulveda fails to tell the whole story.Indians would not fight daily for th e flesh of other humans, or else they would be extinct. And hidden to Sepulveda mind, he didn’t think about the diversity of the Natives and their different groups, so it becomes more clear that his Goal is to make them seem like savages so the Spanish would feel more bias on enslaving them rather than them being converted first. On one positive note, it is clear Sepulveda wanted to say something positive about the Natives, saying â€Å"†¦ Although some of them show a certain ingenuity  for various works of artisanship, this is no proof of human cleverness. (lines 28-29).†If all Sepulveda has been saying was negative things, and have one positive note, then it must have really caught is attention that the Natives have a thing for artisanship. This may be a key point in Sepulveda’s persuasion to converting the Natives to slavery. To say they are crafty would show that they are of use to something. This sentence he writes can be easily summarized that they have a talent, but the Spaniards will always be the superior to the Natives, as said in line 33, â€Å" [New Spain] †¦ are considered the most civilized of all.† To break down my analysis of Sepulveda’s article would be easily described in lines 57 and 58 that the â€Å"[Natives] have stated quite clearly that they have been born into slavery and not to civic and liberal life.†All that Sepulveda wants is a group of slaves that would later be converted to Christianity for the use and the good of the Spanish goals. It was clear s day Sepulveda wanted to make the Natives look bad (and good enough) to make the Spanish ruler feel they would come good use to slavery. Broken down into a nutshell, if the Indians look useless enough, but they have â€Å"artisanship,† then what better place to be than slaves. And the goals of the Spaniards are to spread their Christianity, so why not make them Christians as well.

The English Patient

Max Cembalest SYA English, 6th Period March 7th, 2013 The Villa is Alive, But the Sand is Forever Barren. Lifeless. Considered one of the most hostile environments on the planet, the Sahara Desert takes away all meaning and identity and covers it with sand. Amalsy, the so-called English Patient and one of the central characters of our story, thrusts himself into this empty land to dispose of the idea of nations. In this way the desert is an escape; a common void for those who wish to cede into the past rather than survive in the present. Lush. Alive.Arguably the nation with the richest history in the world, the Italian countryside encompasses a feeling of togetherness that brings our four main characters together. The villa they live in recovering from the atrocities of world war two not only gives them space to heal, but also itself exhibits the characteristics of healing through nature. In this way the villa exists among our four protagonists, and is one of the fragmented victims o f war along with them. Michael Ondaatje, author of our novel The English Patient, focuses most of our front story in the Italian villa.Holes line the inner and outer walls, creating voids in the frescoes of outdoor landscapes. At first glance, war has reduced it to a fraction of its former grace and beauty. â€Å"The Villa San Girolamo, built to protect inhabitants from the flesh of the devil, had the look of a besieged fortress, the limbs of most of the statues blown off during the first days of shelling. † But as is a representative of a war victim healing with time, we see how nature slowly replaces the man made structures, eventually causing the villa to fade into the land. There seemed little demarcation between house and landscape, between damaged building and the burned and shelled remnants of the earth. To Hana the wild gardens were further rooms†¦ In spite of the burned earth, in spite of the lack of water. someday there would be a bower of limes, rooms of green light,† (p. 45). Ondaatje uses this beautiful image of a broken, fragmented house being consumed and reborn anew to show the process of healing from war. The villa represents the hope Hana sees in the future; that even though everything is here life is burned, broken, and dead, someday she will recover just as the villa has.Then there is the desert. Despite being just across the Mediterranean, the Sahara Desert could not be more of a different environment then the countryside surrounding the Italian villa. It is arid, harsh, unforgiving. But even with the physical difference between the desert and Italy, the greater contrast lies in the history of each place. Italy, for thousands of years, has been owned and claimed over and over, by the Estrucans, Greeks, Romans, Barbarians, and Italians. But the desert belongs to no one, no single nation.All boundaries, all sense of difference between people that exists solely because of nations get swept away by oceans of sand. It is this aspect of the desert that draws Amalsy in. As he narrates to Hana, he says, â€Å"The desert could not be claimed or owned—it was a piece of cloth carried by winds, never held down by stones, and given a hundred shifting names before Canterbury existed, long before battles and treaties quilted Europe and the East†¦. All of us, even those with European homes and children in the distance, wished to remove the clothing of our countries.It was a place of faith. We disappeared into landscape,† (p. 147-148). Amalsy praises the desert for being sovereign, just as he himself strives to remain neutral and uninvolved during the chaos of World War II. The desert endures for centuries unharmed by human squabbling, since it is never contained or ‘held down by stones’. Amalsy flees to the desert to escape the ruthlessness of reality and to connect with the past contained in his books. Instead of a place of healing, for Amalsy the desert is a denial of the real worl d entirely.He is able to purge himself of his past life and leap into a new world in which the past and the present are no different. He steps in the same sand, traverses the same dune, embraces the very same realm that Herodotus so admired. In this environment, Amalsy and the other explorers can deny the war and remove the notion that one’s nation has any significance. The desert is stagnant. Any and all attempts to claim ownership are swiftly swept aside. The endurance represents the foolishness of war, how nothing that happens between nations has any meaning there. But Italy is change. It is life, death, and then rebirth.Italy is hugely affected by the war, but we see the recovery of its wounds and hope for the future. Each of these settings in The English Patient is a way for Ondaatje to communicate to us the drastic toll of war on our characters and the different way each person handles themselves. Hana remains in the thick of the war and is shattered by grief, but come the end of the novel we see the beginning of recovery and the hope for a happier life. Amalsy, however, escapes entirely in the hopes of avoiding the war and the pointless differences among nations. Even up to his death his mind is still among the sand. The English Patient Max Cembalest SYA English, 6th Period March 7th, 2013 The Villa is Alive, But the Sand is Forever Barren. Lifeless. Considered one of the most hostile environments on the planet, the Sahara Desert takes away all meaning and identity and covers it with sand. Amalsy, the so-called English Patient and one of the central characters of our story, thrusts himself into this empty land to dispose of the idea of nations. In this way the desert is an escape; a common void for those who wish to cede into the past rather than survive in the present. Lush. Alive.Arguably the nation with the richest history in the world, the Italian countryside encompasses a feeling of togetherness that brings our four main characters together. The villa they live in recovering from the atrocities of world war two not only gives them space to heal, but also itself exhibits the characteristics of healing through nature. In this way the villa exists among our four protagonists, and is one of the fragmented victims o f war along with them. Michael Ondaatje, author of our novel The English Patient, focuses most of our front story in the Italian villa.Holes line the inner and outer walls, creating voids in the frescoes of outdoor landscapes. At first glance, war has reduced it to a fraction of its former grace and beauty. â€Å"The Villa San Girolamo, built to protect inhabitants from the flesh of the devil, had the look of a besieged fortress, the limbs of most of the statues blown off during the first days of shelling. † But as is a representative of a war victim healing with time, we see how nature slowly replaces the man made structures, eventually causing the villa to fade into the land. There seemed little demarcation between house and landscape, between damaged building and the burned and shelled remnants of the earth. To Hana the wild gardens were further rooms†¦ In spite of the burned earth, in spite of the lack of water. someday there would be a bower of limes, rooms of green light,† (p. 45). Ondaatje uses this beautiful image of a broken, fragmented house being consumed and reborn anew to show the process of healing from war. The villa represents the hope Hana sees in the future; that even though everything is here life is burned, broken, and dead, someday she will recover just as the villa has.Then there is the desert. Despite being just across the Mediterranean, the Sahara Desert could not be more of a different environment then the countryside surrounding the Italian villa. It is arid, harsh, unforgiving. But even with the physical difference between the desert and Italy, the greater contrast lies in the history of each place. Italy, for thousands of years, has been owned and claimed over and over, by the Estrucans, Greeks, Romans, Barbarians, and Italians. But the desert belongs to no one, no single nation.All boundaries, all sense of difference between people that exists solely because of nations get swept away by oceans of sand. It is this aspect of the desert that draws Amalsy in. As he narrates to Hana, he says, â€Å"The desert could not be claimed or owned—it was a piece of cloth carried by winds, never held down by stones, and given a hundred shifting names before Canterbury existed, long before battles and treaties quilted Europe and the East†¦. All of us, even those with European homes and children in the distance, wished to remove the clothing of our countries.It was a place of faith. We disappeared into landscape,† (p. 147-148). Amalsy praises the desert for being sovereign, just as he himself strives to remain neutral and uninvolved during the chaos of World War II. The desert endures for centuries unharmed by human squabbling, since it is never contained or ‘held down by stones’. Amalsy flees to the desert to escape the ruthlessness of reality and to connect with the past contained in his books. Instead of a place of healing, for Amalsy the desert is a denial of the real worl d entirely.He is able to purge himself of his past life and leap into a new world in which the past and the present are no different. He steps in the same sand, traverses the same dune, embraces the very same realm that Herodotus so admired. In this environment, Amalsy and the other explorers can deny the war and remove the notion that one’s nation has any significance. The desert is stagnant. Any and all attempts to claim ownership are swiftly swept aside. The endurance represents the foolishness of war, how nothing that happens between nations has any meaning there. But Italy is change. It is life, death, and then rebirth.Italy is hugely affected by the war, but we see the recovery of its wounds and hope for the future. Each of these settings in The English Patient is a way for Ondaatje to communicate to us the drastic toll of war on our characters and the different way each person handles themselves. Hana remains in the thick of the war and is shattered by grief, but come the end of the novel we see the beginning of recovery and the hope for a happier life. Amalsy, however, escapes entirely in the hopes of avoiding the war and the pointless differences among nations. Even up to his death his mind is still among the sand.

Regionalism: Faulkner “A Rose for Emily” Essay

Emily Grierson- A mysterious woman who had secrets kept and a puzzlement to the community around her. †¢Colonel Sartoris- The man who reassured her that she would not need to pay taxes or anything. †¢Tobe- A loyal servant that fed and took care of Miss Emily as well as her secrets of which he never told anyone. †¢Judge Stevens- He acquired new solutions to the community complaints of and about Miss Emily I suppose as respect for the elderly woman. †¢Homer Barron- A man that came into Miss Emily’s life who after a while was not seen again until the day Miss Emily died and was found in a bedroom upstairs decaying. Part II: â€Å"A Rose For Emily† Questions 1.What metaphor is used to describe Miss Emily in the first paragraph? In the first paragraph they described Miss Emily as a Fallen Monument. 2.How is the house personified in the second paragraph of the story? The house is personified as a beautiful house at first with scrolled balconies, cupolas, spires and beautiful flowers. Then towards the ending of the paragraph the house is withered with time and left un developed while as the houses around hers develop and acquire a new style. Miss Emily’s house was described as an eyesore. 3.What had Colonel Sartosis done for Miss Emily in 1894? Colonel Sartosis remitted Miss Emily’s taxes with a dispensation dating from the death of her father and on to perpetuity. 4.What did the next generation of town leaders do on the first year? The alderman issued Miss Emily a notice to pay her taxes and when that hadn’t been claimed they issued another and when the same happened they decided to send people to her house to have a discussion on the issue. 5.How does Faulkner describe Miss Emily in the Sixth paragraph? In the sixth paragraph Miss Emily is described as a small, fat woman in black, with some jewelry and an old and weathered face. 6.At the beginning of Part II, how long had Emily’s father been dead? At the beginning of Part II in the story Miss Emily’s father had been dead for 2 years. 7.What are the neighbors complaining about? What does Judge Stevens say probably has caused it? Judge Stevens is being complained to by the community about the odor of Miss Emily’s home. The judge says that it is probably a dead snake or animal that her Negro servant has killed. 8.What did Miss Emily tell her visitors the day after her father’s death? After hearing of Miss Emily’s fathers death the community come to the house to share their condolences and when they do Miss Emily tells them that her father isn’t dead only to find her realization 3 days later. 9.Who began to date Miss Emily in Part III, and why was he in town? Homer Barron a young construction worker dated her the summer after her father’s death. Homer was in town to pave the sidewalks. 10.What did the townspeople think of Miss Emily and her new boyfriend? At first people were glad for Miss Emily but others thought that it wasn’t right because of Homer’s job. 11.What does Miss Emily do to make the townspeople think that she and her boyfriend have wed?Miss Emily went and bought a suit and nice dress shoes.The towns people thought that Miss Emily and Homer would marry but as time passed by a wedding wasn’t held and the ladies of the town thought that it was a bad example for the younger people so finally they sent the Bishop to Miss Emily’s home. When the Bishop returned from the home he did not speak of the interview. The Bishop’s wife wrote to Miss Emily’s family and when the ladies heard this they thought that Miss Emily had wed. 12.When was the last time the townspeople saw her boyfriend/husband? One evening a neighbor saw Homer welcomed in to Miss Emily’s home shortly after Miss Emily’s cousin’s left town. That was the last that the town saw of Homer Barron. 13.Why had the men sprinkled lime around her house in Part II? After some complaints to the judge of the odor of Miss Emily’ s house the men wanted to confront Miss Emily but the judge said it would be rude so he told them to sprinkle lime around the Home so that the odor would be gone. 14.There is a room upstairs no one has seen for over forty years. After Miss Emily’s funeral, the door to this room is broken down. What do the townspeople find there? After breaking down the door the towns people find the clothes that Miss Emily has bought shortly after Homer came in to her life and also Homer himself. 15.What happened to Homer Barron? Comment on the second pillow on the bed in the last paragraph while responding to this one. Homer Barron was found dead. I believed he was murdered with the poison that Miss Emily had bought from the druggist. A strand of Miss Emily’s hair was found on the pillow next to where he lay.